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Often copied yet rarely credited, Geoffrey
B.
Small is a pioneer in avant-garde design and making
clothes by hand. Since 1993, he has shown more
collections in Paris
than any American designer, and his concepts continue to
lead the
designer industry at the highest level. He began his
career in 1976
working as a
blue jeans
salesclerk for the Gap Stores in Boston. From
1979-1980, after
working for 3 years selling jeans for the Gap Stores and
starting
a small business with an old Singer sewing machine in
his
parents attic making clothes for friends, he was judged
a
winner from over 34,000 competitors by Bill Blass,
Calvin Klein,
Geoffrey Beene and Elsa Klensch in the largest fashion
design competitions in North America.
From 1984-1987, he created
a
national
phenomenon in the industry and sold
almost one
million
dollars worth of a single white shirt he designed ("the
Ultimate Shirt"), from his house in Newton
Massachussetts
through the pages of American Vogue magazine.
In October 1992, Geoffrey B. Small brought
his
first
collection to Paris in a suitcase, and in 1993, showed
his 2nd
collection at the original Paris sur Mode salon on the
banks of the
Seine alongside Maurizio Altieri of Carpe Diem and
Roberto
Cavalli. In Paris, legendary
YSL
chairman and Chambre Syndicale president Pierre Berge hailed Small in the
pages of
Women's Wear Daily as one
of the few
American designers with "true talent". Soon
after, along with Martin
Margiela and Lamine Kouyate of Xuly Bet, he pioneered
the use of
recycled design in fashion. Radical at the time,
within less than
a decade, recycled designer fashion would go on to
become a major
business in
the industry.
In 1994, Geoffrey B.
Small became only the third
American designer in history to be officially recognized
and
listed on the official calendar of the Chambre
Syndicale, Frances
legendary
governing body of fashion. His controversial first
runway
show collection entitled "Typical American", stunned the
fashion system
and garnered no less than 10 pages in Collezioni
magazine alone and
orders from famous retailers such as Barneys NY, Los
Angeles' legendary
Charles
Gallay, Maria Luisa in Paris, and RosyMaendler and
Albert
Eickhoff in Germany. The concept of an
alternative,
relatively
unknown non-commercial American designer showing
in Paris would presage the appearance of many more US
designers in the
years
to come including Jeremy Scott, Steven Slowik, Marc
Jacobs, Rick Owens,
Micheal Kors and Tom Ford.
In 1996, Small introduced the worlds
first recycled menswear collection in Paris which went
on to become
very successful in Japan, the most competitive designer
market in the
world. Working in collaboration with the country's
master retailers of
the time including Midwest, Revolution, Galf, Memphis,
Basement, Lift
and Isetan, Small's recycled clothing was sold in over
40 cities,
prompting an editor of a leading magazine in 1997 to say
he had become
the number one designer for young men in Japan. At the
same time, his
women's collections counted Winona Ryder, Halle Berry,
Tori Spelling
and Mariah Carey as celebrity clients.
During this
period, Geoffrey B. Small and his staff pioneered over
thirty major
recycle design technique innovations later adopted by,
and credited to,
many others among them Martin Margiela, Alexander
McQueen, Comme des
Garcons, Dolce & Gabbana, Paul Smith, Dirk Bikkembergs, Helmut
Lang, Miguel Adrover, E2, Angelo, and the Great China
Wall. 2. the 2-piece recycle twinset 3. themed recycle collections based upon a particular concept or garment type 4. inside out, 5. metamorphosisizing garment types (changing the original use of the garment into a different type or use) 6. half&half 7. tape bands 8. mesh 9. camouflage 10. plastic 11. metal 12. electronic components (applying solid state computer components into recycled clothing designs) 13. graffiti tagging 14. painted leather 15. painted jeans 16. zippers 17. the pinch seam 18. inside pinch seam 19. inside exposed overlock seam 20. laser and silkscreen prints on pants, jackets, button-down shirts, leather and knitwear 21. chiffon over jersey 22. holes 23. label outside 24. intarsia stitching 25. convertibles (2-in-1 or 3-in-1 garments that can be changed into bags, backpacks or alternative garments) 26. slashed knitwear 27. antique patches 28. ergonomic cutting and stitching 29. overdying 30. denim and khaki 31. refitting menswear into womenswear 32. customizing repairs 33. developing the world's most comprehensive standards and methods for production of recycled clothing.
In 1999, the landscape of fashion was
quickly
changing, heavily influenced by the new growing
dominance of large
corporate global brands who were investing hundreds of
millions of
dollars into advertising, publicity, and
aggressively pushing
independent creative designers out of the marketplace
and or buying
their companies outright. At the same time, a new
economic crisis in
Japan triggered a radical change in the designer market
and numerous
designers who were formerly independent including Martin
Margiela, Ann
Demeulemeester, John Richmond, Vivienne Westwood,
Costume
National, Helmut Lang, Hussein Chayalan, Alexander
McQueen began to
form licenses and partnerships with larger industrial
companies
primarily in Italy in an effort to survive the new
environment.
After showing more collections in
Paris than any other American-based designer, and
producing and distributing over 30,000 handmade recycle
pieces
from his own independent company in Boston, Small
entered into a
licensing agreement to produce, finance and distribute
his
designs in with a manufacturer in the Veneto region of
Italy, the
world's
powerhouse of fashion production and finance.
With a maximum of five hundred pieces per
season made for
the world, the concept was successful and enabled Small
to
survive the ongoing world political and economic crises,
and
continue to be able to produce and develop a dedicated
pure research
collection of some of the industry's most advanced and
personal
clothing
designs.
In October 2006, Small set out to
introduce a
totally
new direction for the industry again with his first
medieval
collection entitled "Back to the future". The
first in a series
of collections with a special message warning about the
world's current
social and economic trends.
In January 2007, his controversial
"Classe Dirigeant" show was banned by the Paris fashion
establishment,
yet went on
to
become a landmark fashion presentation for its radical
designs and its
unique and timely social and political message about a
new global
feudalism. In March 2007, his "Heroes of Another Gender"
examined women
in power during dark times in the middle ages and the
21st
century. And in July and October 2007, his
"Schola"
collections for spring/summer 2008 contained a secret
warning message
on the growing dangers of illiteracy to the middle class
in western
industrialized nations. Small's powerful
medieval-inspired
collections and their messages have now influenced a
growing sphere in
fashion, as medieval looks increasingly appeared in
other designer's
collections and brands.
A world leader in ecological
sustainable design With over 17 years of recycle design
leadership at the world level, in 2007 Geoffrey B.
Small was also the first designer at the Paris
design level to introduce designs specifically
addressing global
warming and climate change. In January 2008, he
presented his "Do
Something" collection initiative prompting
individuals to begin
to take personal action to resolve the world's
challenging
problems. And since 2009 the designer has led a new
worldwide antinuclear movement in fashion. In
Paris June 2010, he presented "Logomania
revisited" the first international designer collection
to come out openly against nuclear power- dedicated to
the people of Italy and around the world facing the
threat of the new global nuclear rennaissance. He was
also asked to write the foreword page of the industry's
first design book on sustainable fashion design
"Eco-Fashion" by Sass Brown. In 2011, his continuous
commitment and activist role in the Italian anti-nuclear
movement and his special Art installation during the
opening week of the 54th Biennale d'Arte di
Venezia_International Art Exhibition helped to play a
key role in the historic Italian National Referendum
Campaign that stopped nuclear power in Italy in June of
2011, and continues to help support leading non-profit
environmental organizations including France's Reseau de
Sortire du Nucleaire, the world's largest anti-nuclear
federation. Forecasting the impending world
economic crisis years ahead of his time,
he has also been steadily pushing the envelope of
"hyper-quality," a new bespoke
hand-tailored concept using the worlds best Italian
noble luxury
fabrics and components and a vast array of hand
detailing and treatments
that span over 30 years of hand made clothes-building
experience. Combined with a
social, political and environmental message, the
designer is now
creating one of the most sustainable, personal, and
environmentally-sound luxury wardrobe concepts in the
world--that
offers very cool and personal style as well as
long-lasting value
for money. Proof once again for those that really know, that after 30 years, Geoffrey B. Small continues to be a pioneer in fashion.
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![]() THE STORY OF A MASTERPIECE (Above and below) Paris men's supermodel Stephane Olivier in Geoffrey B. Small's legendary and controversial Autumn/Winter 2006 collection show "An Ode to Toussaint Louverture." In January 2004 the designer introduced a radical new collection of Napoleonic-era inspired clothing entitled 'Brumaire revisited" as a historical warning against pre-emptive wars in the name of freedom. In 2005, he was voted the winner of MTV Germany's Designerama menswear award for his new movement, and within a year, Napoleon-influenced style was all over the industry with names such as John Galliano, Chanel, Gaultier, Balenciaga, Dior Homme, Comme des Garcons, Dolce & Gabbana, Undercover, and Yohji Yammamoto all showing Napoleonic-period influenced looks and collections-- culminating in two special design commissions from Louis Vuitton Japan, and the photographing of the “Toussaint Louverture� collection personally by Karl Lagerfeld in Paris for the September 2006 issue of Numero Homme magazine. ![]() While Lagerfeld shot the collection for Numero with only white models, Small's Paris show was actually dominated by black models. Inspired by the heroic founder of the nation of Haiti, the entire production of "Toussaint Louverture" was sold out worldwide, and demonstrated just after the race riots in Paris, that Geoffrey B. Small's napoleonic style was applicable to people of all colors and beliefs. It is one of the over 60 cutting-edge collections that the designer has presented in Paris since 1993, and is now considered by insiders to be a classic masterpiece of fashion and sartorial art. ![]() ![]() ![]() ![]() A limited number of reproduction pieces from " Toussaint Louverture " are available on a strictly made to order basis through the designer's private client services website and archives. The private client service and websites are not available for public viewing. Photo credits: Guido Barbagelata. |