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Often copied yet rarely credited, Geoffrey B.
Small is a pioneer and world leader in avant-garde design and making
clothes by hand. Since 1993, he has shown more collections in Paris
than any American designer, and his concepts continue to lead the
designer industry at the highest level. He began his career in 1976
working as a
blue jeans
salesclerk for the Gap Stores in Boston. From 1979-1980, after
working for 3 years selling jeans for the Gap Stores and starting
a small business with an old Singer sewing machine in his
parent’s attic making clothes for friends, he was judged a
winner from over 34,000 competitors by Bill Blass, Calvin Klein,
Geoffrey Beene and Elsa Klensch in the largest student fashion
design competitions in North America.
From 1984-1987, he created
a national
phenomenon in the industry and sold almost one
million
dollars worth of a single white shirt he designed ("the
Ultimate Shirt"), from his house in Newton Massachussetts
through the pages of American Vogue magazine.
In October 1992, Geoffrey B. Small brought his
first
collection to Paris in a suitcase, and in 1993, showed his 2nd
collection at the original Paris sur Mode salon on the banks of the
Seine alongside Maurizio Altieri of Carpe Diem and Roberto
Cavalli. In Paris, legendary YSL
chairman and Chambre Syndicale president Pierre Berge hailed Small in the pages of
Women's Wear Daily as one of the few
American designers with "true talent". Soon
after, along with Martin
Margiela and Lamine Kouyate of Xuly Bet, he pioneered the use of
recycled design in fashion. Radical at the time, within less than
a decade, recycled designer fashion would go on to become a major
business in
the industry.
In 1994, Geoffrey B.
Small became only the third
American designer in history to be officially recognized and
listed on the official calendar of the Chambre Syndicale, France’s
legendary
governing body of fashion. His controversial first runway
show collection entitled "Typical American", stunned the fashion system
and garnered no less than 10 pages in Collezioni magazine alone and
orders from famous retailers such as Barneys NY, Los Angeles' legendary
Charles
Gallay, Maria Luisa in Paris, and RosyMaendler and Albert
Eickhoff in Germany. The concept of an alternative,
relatively
unknown non-commercial American designer showing
in Paris would presage the appearance of many more US designers in the
years
to come including Jeremy Scott, Steven Slowik, Marc Jacobs, Rick Owens,
Micheal Kors and Tom Ford.
In 1996, Small introduced the world’s
first recycled menswear collection in Paris which went on to become
very successful in Japan, the most competitive designer market in the
world. Working in collaboration with the country's master retailers of
the time including Midwest, Revolution, Galf, Memphis, Basement, Lift
and Isetan, Small's recycled clothing was sold in over 40 cities,
prompting an editor of a leading magazine in 1997 to say he had become
the number one designer for young men in Japan. At the same time, his
women's collections counted Winona Ryder, Halle Berry, Tori Spelling
and Mariah Carey as celebrity clients.
During this
period, Geoffrey B. Small and his staff pioneered over thirty major
recycle design technique innovations later adopted by, and credited to,
many others among them Martin Margiela, Alexander McQueen, Comme des
Garcons, Dolce & Gabbana, Paul Smith, Dirk Bikkembergs, Helmut
Lang, Miguel Adrover, E2, Angelo, and the Great China Wall. 2. the 2-piece recycle twinset 3. themed recycle collections based upon a particular concept or garment type 4. inside out, 5. metamorphosisizing garment types (changing the original use of the garment into a different type or use) 6. half&half 7. tape bands 8. mesh 9. camouflage 10. plastic 11. metal 12. electronic components (applying solid state computer components into recycled clothing designs) 13. graffiti tagging 14. painted leather 15. painted jeans 16. zippers 17. the pinch seam 18. inside pinch seam 19. inside exposed overlock seam 20. laser and silkscreen prints on pants, jackets, button-down shirts, leather and knitwear 21. chiffon over jersey 22. holes 23. label outside 24. intarsia stitching 25. convertibles (2-in-1 or 3-in-1 garments that can be changed into bags, backpacks or alternative garments) 26. slashed knitwear 27. antique patches 28. ergonomic cutting and stitching 29. overdying 30. denim and khaki 31. refitting menswear into womenswear 32. customizing repairs 33. developing the world's most comprehensive standards and methods for production of recycled clothing.
In 1999, the landscape of fashion was quickly
changing, heavily influenced by the new growing dominance of large
corporate global brands who were investing hundreds of millions of
dollars into advertising, publicity, and aggressively pushing
independent creative designers out of the marketplace and or buying
their companies outright. At the same time, a new economic crisis in
Japan triggered a radical change in the designer market and numerous
designers who were formerly independent including Martin Margiela, Ann
Demeulemeester, John Richmond, Vivienne Westwood, Costume
National, Helmut Lang, Hussein Chayalan, Alexander McQueen began to
form licenses and partnerships with larger industrial companies
primarily in Italy in an effort to survive the new environment.
After showing more collections in
Paris than any other American-based designer, and
producing and distributing over 30,000 handmade recycle pieces
from his own independent company in Boston, Small entered into a
licensing agreement to produce, finance and distribute his
designs in with a manufacturer in the Veneto region of Italy, the
world's
powerhouse of fashion production and finance.
With a maximum of five hundred pieces per
season made for
the world, the concept was successful and enabled Small to
survive the ongoing world political and economic crises, and
continue to be able to produce and develop a dedicated pure research
collection of some of the industry's most advanced and personal
clothing
designs.
In October 2006, Small set out to introduce a
totally
new direction for the industry again with his first medieval
collection entitled “Back to the future”. The first in a series
of collections with a special message warning about the world's current
social and economic trends.
In January 2007, his controversial
“Classe Dirigeant”
show was banned by the Paris fashion establishment, yet went on
to
become a landmark fashion presentation for its radical designs and its
unique and timely social and political message about a new global
feudalism. In March 2007, his "Heroes of Another Gender" examined women
in power during dark times in the middle ages and the 21st
century. And in July and October 2007, his "Schola"
collections for spring/summer 2008 contained a secret warning message
on the growing dangers of illiteracy to the middle class in western
industrialized nations. Small's powerful medieval-inspired
collections and their messages are now influencing a growing sphere in
fashion, as medieval looks increasingly appear in other designer's
collections and brands. Proof once again for those that really know, that after almost 30 years, Geoffrey B. Small continues to be a pioneer in fashion.
GEOFFREY
B. SMALL limited Edition
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